1,478 Royalty-Free Audio Tracks for "Midi Music"

Borrowed chord common in rock music: I ♭VI IV. In C: C A♭ F.

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.

This tune is entitled "Matsurika" or "a　jasmine blossom". It came from China into Japan in early 1800s.This is an older version of Chinese folk song "Mo Li Hua".I made this MIDI file viewing an old music book entitled "Gekkin Gakufu" (view the photo at "Mo Li Hua" of Wikipedia) which was published in 1877 in Japan.

A short instrumental piece i wrote one day when i was feeling kinda blue. Recorded with an m-audio oxygen 49 midi controller in the ignite music software.

Kanon Gottes Wort ist wie Licht in der Nacht; Gotteslob (2013) 450

Takt 54 bis 56 aus frederic Chopins Klaviersonate h-Moll, erster Satz

3/4 version of Image:Characteristic rock drum pattern.png.

Score of Haydn (1732–1809) quartet Opus 20, No 4, movement ???. Tempo, quarter=120.

Mu chord on G. Created by Hyacinth (talk) 00:08, 9 November 2009 using Sibelius 5.

833 cents scale step 13 (6). 366.91 cents. 1⁄ φ {\displaystyle \varphi } /2

Minor scale on C. Created by Hyacinth (talk) 19:43, 1 April 2010 using Sibelius 5.

Consecutive perfect authentic cadences in Beethoven's Piano Sonata, Op. 13.

Johann Sebastian Bach, Kantate Höchsterwünschtes Freudenfest (BWV 194), Schlusschoral Sprich Ja zu meinen Taten

Regular diatonic tuning 31-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.

Four notes (a4,g4,b4,c5) played one after the other at 60 bpm, generated by an online midi editor.

833 cents scale step 12 (5). 230.41 cents. 1⁄6/ φ {\displaystyle \varphi }  4

Supertonic diminished seventh chord in C (D♯=E♭).

A few bars from "Erstarrung" and "Der Lindenbaum" from Franz Schuberts songcycle "Die Winterreise"

*28 steps in 72 equal temperament on C. Equal-tempered: 228/72=14/36=7/18:1 = 466.67 cents. MIDI pitch bend: 43,53

Dominant seventh in Beethoven's Fifth Symphony, last movement.

Aus dem ersten Satz von Joseph Haydn Klaviersonate Hob. XVI/8

*Schismatic temperament perfect fourth on C. 10/11/8 = 498.29 cents.

Half-diminished seventh chord on supertonic in C minor.

*12 steps in 15 equal temperament on C = A♮ (Easley Blackwood's notation). Equal-tempered: 212/15=8/10=4/5:1 = 960 cents. MIDI pitch bend: 26,83 on M6 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~154,50 on Bb

Chord progression of La Folia theme, a common harmonic pattern in baroque music. After chord notation provided by User:Hyacinth at en:File:Later Folia.png. Self-made with Lilypond

Created in Sibelius. Major sixth (Diminished seventh) on C = A (B). Equal-tempered: 29/12:1 = 900 cents. MIDI pitch bend: 0,64

Regular diatonic tuning 53-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.

C Phrygian dominant scale. Created by Hyacinth (talk) 00:37, 5 July 2010 using Sibelius 5.

James Scott's "Frog Legs Rag" (1909) - MIDI sequencing by Adam Cuerden, piano synthesis by Jujutacular

James Scott's "Frog Legs Rag" (1909) - MIDI sequencing by Adam Cuerden, piano synthesis by Jujutacular

Das Ave Maria von Lourdes

Ladrang form, without the phrase making/colotomic instruments, but with balungan line (on slentam). Slendro tuning (5-tet).

Half-diminished seventh chord on sharpened supertonic in C.

Half-diminished seventh chord on sharpened subdominant in C.

Takt 3 und 4 aus der vierten Variation des dritten Satzes von Beethovens Opus 109

Von Luzern auf Weggis zu

*Orwell comma on C. 1728:1715 = 13.07 cents. Limit: 7-limit.

Characteristic disco drum pattern: four to the flour with sixteenth note ride pattern.

This is a MIDI rendered Ludwig van Beethoven's Symphony No. 9, Movement 2. It was created from a public domain MIDI file (https://commons.wikimedia.org/wiki/File:Sym_9_Second_Movement.mid) with LMMS using a public domain RKHive Unison soundfont (http://rkhive.com/banks.html). I just made minor adjustments like adding effects for better sound. I release this under CC0.

Synthesized MIDI rendering of Guillaume Dufay's "Ave Regina", c.1450, Ox. Bod. Can. misc. 213 f.62, after facsimile in W. Apel, The Notation of Polyphonic Music (1960), facs. 26. Created with Lilypond.

Das historische Soldatenlied How Stands the Glass Around. The historic soldier song How Stands the Glass Around.

The opening of Beethoven's Opus 10/1 for comparison with the opening of Dussek's Sonata Opus 39/3.

Created by Hyacinth (talk) 21:40, 28 July 2008 in Sibelius. Shuffle feel example played straight: with NO shuffle.

Fürwahr, er trug unsre Krankheit (Gotteslob (2013) 292)

Sound generated with online synth and then tweaked a bit with audacity. Link to synth: https://lti-adx. Adelaide. Edu. Au/music. Technologies/midi-synth/.

Chromatic run from Chopin's Prelude in C Minor, mm.5-6.

Bach's "Crucifixus", B Minor Mass ground bass.

Truck driver's gear change, modulation up a whole step, in "Because the Night".

Seventh flat thirteenth chord on C. Created by Hyacinth (talk) 17:05, 10 July 2008 using Sibelius.